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A Library of Forms, Robert F. Agrella Gallery, Santa Rose Junior College, Curated by Christopher Woodcock, October 24–December 9, 2022, Santa Rosa, CA


/’fu:bar/, glitch art exhibition, Institute Français En Croatie, October 28th–Nov 13, 2022, Zagreb, Croatia.

VectorHack Festival, October 1-3. Zagreb, Pogon Jedinstvo, and October 5-8, Šibenik, Arsenova kuća, 2022, Croatia.

Future Bodies, New Media Caucus Symposium, The Moss Art Center, Virginia Tech, September 30–October 2, 2022, Blacksburg, VA.

Revolutions Per Minute Festival, UMASS Boston, October 17–23, 2022, Boston, MA.

Buffalo International Film Festival, 16th Annual, Burchfield Penney Art Center, October 6–10, 2022, Buffalo, NY.



Input Amplifier, Signal Culture App Club, co-authored with Jason Bernagozzi, published and distributed online at, released September 2022.


Supernova Digital Animation Festival, 7th Edition,

September 1–30, 2022, Downtown Denver, Denver, CO.

Bogotá Experimental Film Festival, 8th Edition, Cynesthetic Panorama, August 12– 31, 2022, Bogotá, Colombia.

Festival ECRÃ, Cinemateca do MAM-RJ, curated by Daniel Diaz, Rian Rezende, & Pedro Tavares, July 1– 24, 2022, Av. Infante Dom Henrique, 85, Parque do Flamengo, Rio de Janeiro, Brazil. I will also be doing a two-day workshop on Media Art with TouchDesigner for the festival.

ALC Videoart Festival, MUSEOVERSE, May 5 – 14, 2022, work screened at both Pozos de Garrigós, Museu d'Aigües d'Alacant, Alicante, Spain and the MACA (Museo de Arte Contemporáneo de Alicante), the Contemporary Art Museum of Alicante, Alicante, Spain.


NYSCA Individual Artists Grant, “Spirals of Deep Time”, currently in progress, January 1-December 2023.

Media Arts Assistance Fund 2021, Project Title: “Frequencies of Deep Time”, NYSCA Electronic Media/Film in Partnership with Wave Farm, Alfred, NY.

NYSCA Immersive Technology Initiative, “Institute for Electronic Art: “Immersive Art & Technology regional hub”, May 1, 2022, CO-PI with Joseph Scheer.

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